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Charlie Parker

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Charles Christopher “Bird” Parker, Jr. (August 29, 1920 – March 12, 1955) was an American saxophonist and composer. Early in his career Parker was dubbed Yardbird; this was later shortened to ‘Bird’ (or sometimes ‘Yard’) and remained Parker’s nickname for the rest of his life and inspiration for the titles of his works e.g. PlayYardbird Suite.

Parker is commonly considered the greatest bebop musician. In terms of influence and impact, his contribution to was so great that Charles Mingus commented that if Bird were alive today, he would think he was living in a hall of mirrors. Bird’s talent is compared almost without argument to such legendary musicians as Louis Armstrong and Duke Ellington, and his reputation and legend as one of the best saxophonists is such that some critics say he was unsurpassed; critic Scott Yanow speaks for many fans and musicians when he suggests that “Parker was arguably the greatest saxophonist of all time.”[1]

A founding figure of , Parker’s innovative approach to melody, rhythm and harmony have exerted an incalculable influence on . Several of Parker’s songs have become standards of the repertoire, and innumerable musicians have studied Parker’s music and absorbed elements of his style.

Parker became an icon for the Beat generation, and was a pivotal figure in the evolving conception of the musician as an uncompromising artist and intellectual, rather than just a popular entertainer. At various times, Parker fused with other musical styles, from (seeking to study with Edgard Varèse and Stefan Wolpe) to music (recordings with Machito), blazing paths followed later by others.
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Ornithology full track
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2 Play
Just Friends full track
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3 Play
Confirmation full track
440
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Summertime full track
420
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Lover Man full track
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Now's the Time full track
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Star Eyes full track
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Out Of Nowhere full track
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9 Play
390
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April in Paris full track
362
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Yardbird Suite full track
304
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Embraceable You full track
284
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Cool Blues full track
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Parker's Mood full track
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Bird of Paradise full track
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